Music, on your own terms

Going cold turkey, without the misery.

Quitting the label path, the algorithm, and the received wisdom about how music is supposed to work. Free tools and straight numbers for the unglamorous half of putting your own records out, built by someone who releases his own rather than someone selling a course about it.

Open the free split sheet tool What distribution actually costs

The tools

The jobs you end up doing at 2am in a Notes app

Splits, distributor fees, release timing, royalties. All four run in the browser and ask you for nothing.

$0
What they cost
No account, no login, no trial that turns into a subscription. There is nothing to sign up for.
0
Of what you type is uploaded
The split sheet asks for the names and shares of everyone in your session. That has no business on someone else's server.
4
Figures corrected in public
Four numbers here were wrong. Each was fixed on the page, dated, with the old value left visible rather than swapped out.

The rule

Publishing what you got wrong is the cheapest credibility available, and almost nobody does it. Why there is a corrections index at all

Every number on this site is sorted into one of three piles: what holds up, what is shaky, and what did not survive checking. That last pile is the point. It is where an earlier draft's four wrong distributor figures live, along with the two break-even numbers that had been calculated from one of them and moved when it was corrected.

When a number here turns out to be wrong, the page changes and says so, with the date, and the old figure stays visible rather than being quietly swapped out.

Why this exists

Going cold turkey means quitting the thing everyone tells you that you can't quit. Cool turkey is doing it without the misery, and without pretending it's easy. For artists that means the label path and the guru advice. For everyone else it means the feed deciding what you hear.

There is an enormous amount of music media covering who is beefing with whom, and almost none covering the fact that your distributor quietly takes 20% of your TikTok money, or that the pitch deadline you just missed was seven days and published. The creative side of independent music is well served. The administrative side, which is the part that decides whether you keep any of your money, is barely covered at all.